El negocio del pasatiempo

Autors/ores

  • Guillermo Tato

DOI:

https://doi.org/10.51698/tripodos.2007.21.73-78

Resum

The eruption of television sets in North American homes represented a strong attack on the oily machinery of Hollywood. In play was not only the financial aspect (at a time that the cinema industry was also confronted with anti-monopoly laws), but also the question of the hierarchies within audiovisual language itself. This led to a radical strategy on the part of Hollywood to spectacularize the cinema format (for example, with Cinema-Scope), while at the same time launching a virulent attack on television as a medium incapable of generating any genuine type of message. This strategy generated a whole way of seeing television through the cinema, a vision that was as exaggerated as it was out-dated and which has gone on to promote the concept of trash TV.

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Publicades

25-09-2007

Com citar

Tato, G. (2007). El negocio del pasatiempo. Tripodos, (21), 73–78. https://doi.org/10.51698/tripodos.2007.21.73-78

Número

Secció

Monogràfic