Música i comunicació (II): la música com a element audiovisual
DOI:
https://doi.org/10.51698/tripodos.1999.8.73-96Abstract
The different theories about music as a language without meaning, along with the expressive power of music, can be applied to audiovisual language and, more specifically, to cinema as a narrative art. This article, tile second part of an article previously published in these pages, presents the essential characteristics which shape the analysis of an audio-visual product strictly from the point of view of its soundtrack.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 1999 Tripodos

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Once an article has been approved for publication in Tripodos, the exclusive right to publish the work becomes the property of Blanquerna School of Communication and International Relations of Ramon Llull University. These rights can be granted to a third party with the agreement of the author(s).
Until the articles have been approved for publication, Blanquerna School of Communication and International Relations of Ramon Llull University has no rights over them.
The submission of articles is understood to represent explicit consent to these conditions of publication.








