While ‘Gramming’ a Wedding in India: Media and the Reproduction of a ‘Bridal Femininity’

Authors

  • Athira B.K. Jawaharlal Nehru University (India)

DOI:

https://doi.org/10.51698/tripodos.2021.50p147-167

Keywords:

bridehood, social media, Instagram, weddings

Abstract

This paper examines the changing wedding scenes and performance of bridehood in India in a post-liberalisation period. The study, based on a digital ethnography, explores the changing wedding practices by considering the role of digital media in circulating and reifying the image of an emergent bridehood, tethering it to the ideology of consumption as well as distinctions based on social categories like gender and religion. It looks into the possibility of a scheme that goes beyond the narrative of ‘uniformisation’ in explaining the changes manifested in the performance of bridehood in the Eastern and Western regions of India, with an expansion of social media practices in the recent years.

Author Biography

Athira B.K., Jawaharlal Nehru University (India)

Athira B.K. (athirakalithozhi@gmail.com) is a Research Scholar at Centre for the Study of Social Systems, Jawaharlal Nehru University, New Delhi. Her M.Phil dissertation was based on the theme  bridehood and bodily practices in the Indian Sub-continent. She is currently working on the Bridal Beauty Practices among Mappila Muslims of Kerala. Her interests include: Gender and Sexuality, Material Culture and Social inclusion studies.

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Published

2021-07-01 — Updated on 2021-07-04

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How to Cite

B.K., A. (2021). While ‘Gramming’ a Wedding in India: Media and the Reproduction of a ‘Bridal Femininity’ . Tripodos, (50), 147-167. https://doi.org/10.51698/tripodos.2021.50p147-167 (Original work published July 1, 2021)

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Monograph