El docudrama contemporáneo: rasgos configuradores

Authors

  • Carme Raventós Mercadé
  • Marta Torregrosa Puig
  • Efrén Cuevas Álvarez

Abstract

The docudrama has become a narrative and genre model of increasing importance in contemporary fiction and with a growing impact in Spain, above all in its televised form. However, in our country, academic research on the docudrama is still relatively limited in comparison with the attention which it has received in the English-speaking world. The paper we present here offers an initial approach to the definition of the docudrama, based on two different types of analysis. In the first part, we consider contextual analysis, which analyzes the basic features of the principal traditions —the British and the North American— which have historically shaped these products. In the second, we analyze elements of a textual nature, based on their dual fictional and documentary aspects.KEY WORDS: docudrama, fiction, documentary. PALABRAS CLAVE: docudrama, ficción, documental. 

Author Biographies

Carme Raventós Mercadé

Carme Raventós Mercadé es becaria de investigación de la Facultad de Comunicación de la Universidad de Navarra.

Marta Torregrosa Puig

Marta Torregrosa Puig es profesora contratada doctora de la Facultad de Comunicación de la Universidad de Navarra.

Efrén Cuevas Álvarez

Efrén Cuevas Álvarez es profesor titular de la Facultad de Comunicación de la Universidad de Navarra.

Published

2021-02-05

How to Cite

Raventós Mercadé, C., Torregrosa Puig, M., & Cuevas Álvarez, E. (2021). El docudrama contemporáneo: rasgos configuradores. Tripodos, 1(29), 117-132. Retrieved from http://www.tripodos.com/index.php/Facultat_Comunicacio_Blanquerna/article/view/12

Issue

Section

Fundamentals